gazilliontimz said:
The thing is, photos look "lovely" displayed on a glossy screen, but if you are a photographer working on a high quality image, preparing it for a client, then the glossy screens are a disaster. We don't want the photos to look nice. We want them to look accurate. Reflections are annoying, but more importantly they are shadow-robbers.
Look at the delicious pictures of the new MacBook Pro on the Applestore page here.
Check out the FinalCutPro screen. The right hand side picture shows a moto-X rider leaning over. So, is the left hand side of the picture too dark, needing a bit of exposure increase, or does the right hand side need an exposure reduction, or maybe a contrast increase, or maybe it needs to be clipped more, or maybe all of the above?
We'll never know because the glossy screen interferes with that decision making process.
I won't be buying a glossy screened MacBook Pro (with the vague chiclet keyboard) or an iMac or indeed the glossy LED 24" display.
However, Apple's decision to hold off fully upgrading (debatable term) the 17" MBP, retaining the shaped-key keypad and with a matte screen option (Yes!) seems to indicate that they will be developing it as a Creative Pro machine to take on Lenovo, Sony, Toshiba et al, who have come up with some incredibly well specced laptops suitable for working photographers who expect quality and reliability.
Let's hope that the MBP's LED is at least 8bit and a reasonably wide gamut. Is 100% Adobe RGB asking too much?
Yes. I thought so.
How about throwing in SSD PLUS a 320GB HD? The SSD for booting, scratch disk and applications, the 320 HD for storage. Two FW800 ports, e-SATA, and a blu-ray drive option would also be nice too thanks Steve.
Adrian Malloch
Adrian Malloch Photography
Auckland, NZ
www.malloch.co.nz



Sign In
Register
Help

MultiQuote