Choose the right guitar
#3
Posted 19 August 2008 - 06:17 AM
Even a pro would balk at $4000 for an Acoustic. For guitars, go to the store, play with the ones that catch your eye, make sure they feel comfortable, and finally, make sure they have a good tone.
I find pickup selection affects the sounds as much as body type, so with guitars like Stratocaster & Telecasters, you can always change out the pickups to alter your sound down the line if you want.
I find pickup selection affects the sounds as much as body type, so with guitars like Stratocaster & Telecasters, you can always change out the pickups to alter your sound down the line if you want.
#5
Posted 19 August 2008 - 06:45 AM
serpicolugnut -- feel is definitely one of the most important things to me. I have a $69 guitar that's great. People laugh at it, but it just fits so well when I pick it up. That's why I like the Washburn so much.
captainflab -- I tried a Takamine in years past and just couldn't get comfortable with it. Maybe things have changed and I should give it another try. I can say that the tone of Taylor is one of the best I've ever heard.
captainflab -- I tried a Takamine in years past and just couldn't get comfortable with it. Maybe things have changed and I should give it another try. I can say that the tone of Taylor is one of the best I've ever heard.
#7
Posted 19 August 2008 - 07:12 AM
There are folks out there who can't afford to have 11 guitars and need something universal, suitable for any kind of music. Enter Ibanez R-series, probably the most universal guitar ever made.
There's still rather snobish attitude prevailing among musicians, that you need to have top of the range guitar to diali in a killer tone. Def Leppard recorded one their albums using a cheap Squire Telecaster and one of the digital virtual guitar boxes (such as Line6, or Behringer's V-Amp).
Ayeron's albums are full of killer guitar tones, courtesy of an old Gibson Explorer and Pod XT Pro.
Get an Ibanez that suits your budget, get one of the Line6 Pods or Behringer's W-Amps (they're 90% as good as Line6 stuff for the fraction of the price), and you can record ANY kind of music and have thousands of tones ready.
The thing is, that that most of your sound is in your fingers and in your head.
There's still rather snobish attitude prevailing among musicians, that you need to have top of the range guitar to diali in a killer tone. Def Leppard recorded one their albums using a cheap Squire Telecaster and one of the digital virtual guitar boxes (such as Line6, or Behringer's V-Amp).
Ayeron's albums are full of killer guitar tones, courtesy of an old Gibson Explorer and Pod XT Pro.
Get an Ibanez that suits your budget, get one of the Line6 Pods or Behringer's W-Amps (they're 90% as good as Line6 stuff for the fraction of the price), and you can record ANY kind of music and have thousands of tones ready.
The thing is, that that most of your sound is in your fingers and in your head.
#9
Posted 19 August 2008 - 07:22 AM
kitko, good suggestion -- I'll take a look at the R series. The snobbery crosses all the lines, from recording to software, mixers and everything else.
I have quite a bit of Line 6 gear, but I do love my Marshall and Vox too. Sometimes there's just nothing like plugging into the AC30.
I have quite a bit of Line 6 gear, but I do love my Marshall and Vox too. Sometimes there's just nothing like plugging into the AC30.
#10
Posted 19 August 2008 - 07:43 AM
Taylor's guitar line has equal sound quality - a lot of pros play the 3xx line of guitars. The changes are in the woods used and in-lays, not in the production of the guitar, or the electronics. I play a 310ce, and a friend has a 610ce. His is a little fancier, but they play and sound identical. In my opinion, and I've played a lot acoustics, the Taylor's sound best straight from the guitar.
That being said, if $1500 (Musician's Friend price) is too much, then please DO invest $200 or so in a LR Baggs Para Acoustic DI box. It is a combination pre-amp and parametric eq, so that you can clean up your tone before it gets recorded.
That being said, if $1500 (Musician's Friend price) is too much, then please DO invest $200 or so in a LR Baggs Para Acoustic DI box. It is a combination pre-amp and parametric eq, so that you can clean up your tone before it gets recorded.
#13 Guest__*
Posted 19 August 2008 - 08:20 AM
Carvin ( www.carvinguitars.com/ )! For the money I HIGHLY recommend Carvin guitars. You will be hard pressed IMO to find a better playing guitar for the money. I have 2 Carvin 6-String Electric Basses and one Electric guitar with Piezo bridge. I have not played any of their acoustic guitars, however they have expanded their lineup over the last few years. Very high quality for relatively small dollars and with many, many customization options. I recommend that if you are in the market for a guitar and near enough to a factory outlet that you go and play some of their guitars.
#14 Guest__*
Posted 19 August 2008 - 08:33 AM
" I like the cheap ones I can pick up at BJ's for $29. I don't feel as bad when I smash them into the wall that way."
Good point!
Hopefully they are plugged into an amplifier that is on 11 ;) when you smash e'm.
Eleven Bit from "This Is Spinal Tap"
NIGEL: No, you've seen enough of that one. This is a top to a, you know, what we use on stage, but it's very...very
special because if you can see...
MARTY: Yeah...
NIGEL: ...the numbers all go to eleven. Look...right across the board.
This is Spinal Tap 11
MARTY: Ahh...oh, I see....
NIGEL: Eleven...eleven...eleven....
MARTY: ..and most of these amps go up to ten....
NIGEL: Exactly.
MARTY: Does that mean it's...louder? Is it any louder?
NIGEL: Well, it's one louder, isn't it? It's not ten. You see, most...most blokes, you know, will be playing at ten. You're
on ten here...all the way up...all the way up....
MARTY: Yeah....
NIGEL: ...all the way up. You're on ten on your guitar...where can you go from there? Where?
MARTY: I don't know....
NIGEL: Nowhere. Exactly. What we do is if we need that extra.. push over the cliff...you know what we do?
MARTY: Put it up to eleven.
NIGEL: Eleven. Exactly. One louder.
MARTY: Why don't you just make ten louder and make ten be the top... number... and make that a little louder?
(pause)
NIGEL: These go to eleven.
Good point!
Eleven Bit from "This Is Spinal Tap"
NIGEL: No, you've seen enough of that one. This is a top to a, you know, what we use on stage, but it's very...very
special because if you can see...
MARTY: Yeah...
NIGEL: ...the numbers all go to eleven. Look...right across the board.
This is Spinal Tap 11
MARTY: Ahh...oh, I see....
NIGEL: Eleven...eleven...eleven....
MARTY: ..and most of these amps go up to ten....
NIGEL: Exactly.
MARTY: Does that mean it's...louder? Is it any louder?
NIGEL: Well, it's one louder, isn't it? It's not ten. You see, most...most blokes, you know, will be playing at ten. You're
on ten here...all the way up...all the way up....
MARTY: Yeah....
NIGEL: ...all the way up. You're on ten on your guitar...where can you go from there? Where?
MARTY: I don't know....
NIGEL: Nowhere. Exactly. What we do is if we need that extra.. push over the cliff...you know what we do?
MARTY: Put it up to eleven.
NIGEL: Eleven. Exactly. One louder.
MARTY: Why don't you just make ten louder and make ten be the top... number... and make that a little louder?
(pause)
NIGEL: These go to eleven.



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