9 Replies
Last post:
Sep 5, 2008 9:14 PM by
mdawson
Music recorded live: There's a wonderful live version of Sweet Jane with a few minutes of prelude. I created three versions with different start times - the whole thing, an abbreviated prelude, and only Sweet Jane itself.
Extra bits one might not like: The quacking at the end of Joe Walsh's Life's Been Good might not be to everyone's taste.
Lack of Song divisions on albums: The Toys soundtrack has a wonderful song "The Closing of the Year" and tacked right on is a song with a wildly different mood. By Stopping before the second song I can put Closing in my Christmas playlist.
Extra bits one might not like: The quacking at the end of Joe Walsh's Life's Been Good might not be to everyone's taste.
Lack of Song divisions on albums: The Toys soundtrack has a wonderful song "The Closing of the Year" and tacked right on is a song with a wildly different mood. By Stopping before the second song I can put Closing in my Christmas playlist.
Re: iTunes' Start and Stop Times
cphoffman42 wrote:
It could also be helpful for those songs on albums with like ten minutes of silence before a "hidden" track. Sure, it was cute when CDs were popular, but now is just annoying.
It could also be helpful for those songs on albums with like ten minutes of silence before a "hidden" track. Sure, it was cute when CDs were popular, but now is just annoying.
I used to do this. But if it's a good hidden track, I'll disassemble it with Audacity, make it a separate song, then re-import into iTunes. I want to hear it on my Shuffle, and not because I held fast-forward for 3 minutes. I also don't want to never hear it - I've lost so many play counts because I lost patience waiting for the "hidden" tracks.
I noticed iTunes’ start and stop times when I first started using iTunes 4. Installing music on my PC at work served as a test bed for learning iTunes before I got my new Mac. Like others here I used it to remove, or more properly force iTunes to omit during playback, extraneous material in CD tracks. Unfortunately, one of the things I noticed using that technique was that even though I meticulously set cut off points, iTunes was none too meticulous about respecting them.
Once I moved from my old Power Mac G4 Cube to my Power Mac G5, I purchased a copy of BIAS Peak for other uses and found it to be more reliable—I did not have to worry about a split second snippet from audio I did not wish to hear being erroneously played if it was removed—, but given the price of the software I would not suggest that anyone go that route; there are much less expensive options to just that end.
“Cannot run out of time. There is infinite time. You are finite. Zathras is finite. This is wrong tool.” 2.3GHz Power Mac G5/8GB/2x1TB HDD/OS X 10.4.11/30-inch ACD, 60GB iPod (Color)
Once I moved from my old Power Mac G4 Cube to my Power Mac G5, I purchased a copy of BIAS Peak for other uses and found it to be more reliable—I did not have to worry about a split second snippet from audio I did not wish to hear being erroneously played if it was removed—, but given the price of the software I would not suggest that anyone go that route; there are much less expensive options to just that end.
“Cannot run out of time. There is infinite time. You are finite. Zathras is finite. This is wrong tool.” 2.3GHz Power Mac G5/8GB/2x1TB HDD/OS X 10.4.11/30-inch ACD, 60GB iPod (Color)
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